"The liberation aspect implied that a repressed white woman who’d long been sexual property of white men suddenly discovered true sex, fun, pleasure, and ecstasy through sex with a Negro. She was liberated from white patriarchy by the animal magnetism of the Black Stud who penetrated deep into her and excited her senses like no white man could. So, a white woman having interracial sex feels liberated from stuffy white patriarchal society through the thrill of Jungle sex. I’ve often been told by white female friends who had interracial sex that their orgasms with black men were many times more powerful than orgasms with white men. But, part of the excitement is also psychological as there’s long been a spoken and then an unspoken taboo among white folks against interracial sex, especially between black males and white females. So, it’s like Forbidden Fruit in the Feverish Jungle. She feels like a musical instrument (a saxophone perhaps) that had previously been only played by whites males in a subdued, hoity-toity, or lame manner suddenly in the hands and lips of a Negro who found grooves, hooks, and curves unknown in the hands/lips of white musicians. So, just as black musicians pull/squeeze out louder and denser sounds out of a saxophone, they presumably can make white women moan louder and feel more crazy ecstasy." - "Andrea Ostrov"/"Priss Factor"